March and April may not hold as many options as previous months, but there are still quite a few good picks available. Suits returns to USA; Whose Line Is It Anyway? proves what works, works (even on the CW); PBS finally premieres the BBC mini-series Mr. Selfridge starring Jeremy Piven; Orphan Black returns to BBC America; and SLG game Tips of Thrones season 4 premieres… at some po

February starts off slow, as far as television premieres goes, thanks to the Winter Olympics; however the second week of month brings both the return of The Walking Dead season 4 on AMC and the premiere of House of Cards season 2 on Netf

January starts off with the highly-anticipated premiere of Community season 5, and then the world of television jumps backs in to gear as all of your favorite shows begin making their return from the holiday hia

When it comes to video games, the horror genre has had its ups and downs. There was a period of time where horror games were virtually non-existent, but thanks to popular games like Resident Evil and Silent Hill , they became an important part of the industry. The rise of online multiplayer and games like Call of Duty saw developers move away from horror games, but then the success of indie horror games led to a mainstream resurgence that we're still seeing to

Five Nights at Freddy's has transcended gaming and become a multimedia phenomenon, spawning an endless stream of merchandise, novel adaptations, and an in-production feature film on top of numerous spinoffs and sequels. The game's premise is simple but effective, with players taking on the role of a security guard at a creepy Chuck E. Cheese knockoff restaurant called Freddy Fazbear's Pi

There will be several different killers in the game, each loosely based on different classic horror movie villains, but only one was featured in the PAX demo, a hulking Jason-like with a machete and bear traps. As the killer, you can always see where the generators are, so you have a good idea at least where to patrol. If a survivor makes a loud noise, like from failing that generator prompt, a prominent icon shows up onscreen giving you the exact location. Likewise, when a generator is fixed, it turns on and gets highlighted in your view. Show up to the generator and see a fading red trail leading away and you know a survivor is very close. Chase them down and give them a good slash and you’ll injure them, making it much easier to catch up with them again later. A second slash will down them, making them eligible to be picked up and carried to a meat hook to be "sacrificed" upon death as tendrils take them away. The whole concept of needing to hang the survivors up on a hook instead of just killing them right then and there is a little silly, of course, but it provides good tension for the game on both sides.

Fortunately we have organized all the premiere dates here for you, so it shouldn't be too difficult to figure out which shows will receive your time. If you need a bit of help in deciding what to watch, make sure to check out a trimmed-down selection in our premiere pi

Kill or be killed. Those are your options in Dead by Daylight, developer Behaviour Interactive’s upcoming asymmetric multiplayer horror game. You’ll play as either the hopeful survivors attempting escape or the killer making sure they don’t. If you play as a survivor, don’t expect things to be easy just because there’s four of you and only one of him. Make no mistake: the killer is hunting you. He is listening for you. He is watching for signs you were there. He is laying traps for you.

Premiere Picks: Helix (Syfy) from Battlestar Galatica creator Ronald D. Moore; True Detective (HBO), starring Matthew McConaughey and Woody Harrelson; Sherlock (PBS) season 3; Black Sails (Starz); and (A&E) and BBC America’s Fleming: The Man Who Would Be Bond mini-ser

Though the game is played in third-person view for survivors, you’ll play in first-person as the killer. Côté explained that the shift here is about focus. As a survivor, you’re focused on keeping an eye out for the killer. When you’re fixing a generator, you can spin the camera around to make sure he’s not sneaking up on you. If he does, though, you’ll be able to see a red glow wash over the immediate area behind your character. Not only does a third-person camera divorce you from the action so you get the same sympathetic feeling you’d get watching the victims of a slasher flick, but the pulled-out view offers a tactical advantage you sorely need as a survivor. As the killer, you don’t need the advantage. The first-person perspective gives you tunnel vision as you hunt your targets, which doesn’t just make the action more personal; it effectively reduces your vision cone and makes it easier for the survivors to escape. This led to incredibly close calls during my round as a survivor when I managed to lose the pursuing killer for the briefest of moments, then dodge into a cabinet and watch him pass by. When I played as the killer though, that same situation in reverse made it crystal clear how important it is as a survivor to slow down and not leave a trail as I threw open the cabinet doors and wrenched the terrified survivor out.